By HILLEL ITALIE AP National Writer
NEW YORK (AP) — Two months past his 90th birthday, Buddy Guy is still up for a little bragging, a lot of cursing and a long night of partying.
The blues great was celebrated Thursday night with a sold-out show at Radio City Music Hall in New York, where a lineup of guest musicians and a house band led by Rolling Stones drummer Steve Jordan had the audience on its feet for much of the three-hour-plus “Buddy’s Got the Blues” concert.
Guy himself was only on stage part of the time, but his name was heard throughout, and his spirit always present. One of the last of the Chicago bluesmen who thrived in the mid-20th century, Guy has become so much the ideal of the genre that musicians didn’t need to perform his songs to summon his legend.
John Mayer, with an ache in his voice on Otis Redding’s “I’ve Got Dreams to Remember,” and Eric Gales and Joe Bonamassa jamming on the Jimmy Reed standard “Baby What You Want Me to Do,” seemed as fitting as Susan Tedeschi and Derek Trucks reviving an old Guy-Junior Wells favorite, “Messin’ with the Kid.”
But no one was going to top the guest of honor. Guy, wearing a dark cap, dark pants and a polka dot shirt, opened the show with a long, raunchy acoustic workout of John Lee Hooker’s “I’m in the Mood” and only seemed to get friskier after bringing out his electric guitar.
He leered and joked with longtime friend Shemekia Copeland on a duet of “Rock Me Baby,” left no doubt about the meaning of “to buzz all night long” in Slim Harpo’s “I’m a King Bee” and carried on a lot more when joined by one of his few contemporaries, Bobby Rush, just a month away from his 93rd birthday. Everyone came on at the end for an all-out, self-fulfilling “Got My Mojo Workin.'”
Guy is still making plans. His team announced this week that he has a new album out next year, produced by Jordan and featuring multi-instrumentalist Ivan Neville, bassist Willie Weeks and others who played at Radio City Music Hall.
Guy didn’t seem at first to have a lot on his mind Thursday besides the next double entendre or the next profanity. “Help me f—k up this song,” he liked to call out. But the tributes offered by the younger performers and the presence of Rush, who testified that he would have walked from Mississippi just to be here, left him moved and near tears.
“I didn’t think this many people would be coming out for a 90 year old man,” Guy said, after confiding he didn’t have the strength to blow out that many “f—kin’ candles” on the cakes brought out at the end. “This is the greatest day I ever had in my life.”